Since both Jackson and Prince have passed away, others in the music industry have shared their own memories of the two, shedding further light on their famed 'rivalry.' Here's a look at what we know about the relationship between Michael Jackson and Prince.

For example, on his 2004 album Musicology, Prince's song ' Life 'O' the Party' included these lyrics: 'My voice is getting higher / And I ain't never had my nose done / That's the other guy.' Even though the two stars rarely addressed it directly, small clues suggested that they were aware of the comparisons. Siedah Garrett - I Just Can't Stop Loving You, Michael Jackson - Leave Me Alone. Their larger-than-life personas dominated the 1980s, from Jackson's famous sequined glove and flawless moonwalk, to Prince's signature falsetto, impeccable guitar skills, and killer high heels.īack in the day, people constantly asked each other, 'Who do you like more - Michael Jackson or Prince?' while rumors of a rivalry between the two pop legends started to emerge. Michael Jackson - Speed Demon, The Way You Make Me Feel, Just Good Friends, Bad, Liberian Girl, Michael Jackson feat.

Prince and Michael Jackson were pretty different musically - nevertheless, the two icons were constantly compared. story album, a “Billie Jean” demo, outtakes and numerous intriguing, amusing interview segments with Jones and songwriting collaborator Rod Temperton.We may receive a commission on purchases made from links. This special edition includes “Someone in the Dark” from an E.T. And nostalgia is far down the list of reasons why. (Pretty Young Thing)” and “Baby Be Mine,” Thriller finds Jackson at an artistic height. From the knowing humor of the title track to the dread of “Billie Jean” and “Beat It” and the irresistible cuteness of “P.Y.T. Seven of its nine original cuts were Top Ten singles, but more important is the way Jackson and producer Quincy Jones turned the singer’s obsessions into intricate, stunningly sung pop-funk. Stripping the weight of history from Thriller is a big job, but hearing the record as a statement in itself remains hugely rewarding. Thriller’s late-1982 release marked the beginning of Michael Jackson’s entry into another level of fame it also saw the end of a great five-year period of creativity that had seen him raise his solo game on the unstoppable Off the Wall and make heavy contributions to the Jacksons’ Destiny and Triumph.

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